Morrissey’s 2015 “Message” For America…Is From 2005 

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Written & Photographed by Kenn Sava

Text a friend sent me after Moz @ MSG

Text a friend sent me after Moz @ MSG

Morrissey @ Madison Square Garden June 27, 2015. Click to enlarge.

Morrissey @ Madison Square Garden June 27, 2015. Click to enlarge.

Those who love Morrissey’s music are almost certain to have a favorite anthem the man has written since the early 1980s.  The term is thrown around quite a bit in non-nationalistic contexts, so what, exactly, is an anthem you ask? The Dictionary defines an anthem 1 as “a usually rousing popular song that typifies or is identified with a particular subculture, movement, or point of view.” Hmmm….not sure that covers my idea of it, but the “identify with” part definitely does. Going from there here are some of Morrissey’s that a lot of people, including myself, seem to identify with-

“How Soon Is Now?”
“There Is A Light That Never Goes Out”

“Last Night I Dreamt That Somebody Loved Me”

“Stop Me If You’ve Heard This One Before”

“I Have Forgiven Jesus”

“That Joke Isn’t Funny Anymore”

“Shoplifters Of The World Unite”

“Suedehead”

“This Charming Man”

“Every Day Is Just Like Sunday”

“Please, Please, Please Let Me Get What I Want”

“Ask”

“Reel Around The Fountain”…

Add yours here.

The list is long.

I bet VERY few would include the 2005 song “Ganglord.” Yet, Moz chose it as the 4th song during his return to NYC June 27 Madison Square Garden concert. Its lyrics include-

“Ganglord, the police are
Kicking their way into my house
And haunting me, taunting me
Wanting me to break their laws…
Ganglord, the police are
Grinding me into the ground
The headless pack are back
Small boy jokes and loaded guns
And I’m turning to you
To save me
And I’m turning to you
To save me, save me, save me, save me…
They say, ‘To protect and to serve’
But what they really mean to say is
Get back to the ghetto, the ghetto
Get yourself back to the ghetto, the ghetto”*
Can you imagine a more timely song? I sat wondering how many people had heard it before and how many thought it was a new song inspired by tragic recent events.

The amazing, and sad, truth is that “Ganglord” was the B-side to the single “The Youngest Was The Most Loved” from 2005! Written about the LAPD, it finally appeared on an album in 2009, the collection of B-Sides, “Swords,” which is only known to die-hard fans. That it very well could have been written in 2015 is just another example of the durability of Morrissey’s writing. From the beginning of The Smiths in 1982 to 2015… 33 years, it’s hard to think of a single song that’s a throwaway. (Maybe “Journalists Who Lie”? “Get Off The Stage”?)

At MSG, he performed it with an intensity and power, that’s only hinted at on the record (which you can hear on the years’ old official music video for it here-),

aided by his continually improving, now stellar current band, giving every bit the aural vitriol the lyrics scream while the backing video screen at the rear of the stage showed a never ending montage of every horrific constabulary related violent event, with no holds barred- literally.

Pretty powerful, intense stuff for a rock concert at MSG. I note a few have posted bootleg videos of his performance of it on youtube. Unfortunately, they lack the power and in your face presence of the sound, so offer only a pale document of what I experienced live. But, you can get an idea of the experience as you can see parts of the backing video here-

Upping the intensity even more, the dramatic highlight of his show was, undoubtedly, “Meat Is Murder,” the ever-hard-to-listen-to Smith’s title track that thanks to the graphic video presentation, was also hard-to watch. Towards its end, Moz knelt with his back to the crowd, facing the video screen behind the band. I could still see him, being one of the few with seats on the side of the stage, and shot this-

IMG_0762PNH

Say what you like about him- his ongoing passion and dedication for this issue is hard not to admire, whichever side of the coin you’re on. “Meat Is Murder” was released 30 years ago, in 1985.

For me, though, the choice of performing “Ganglord” made it hard not to think of it as his non-too-subtle “message” that there is still plenty of work to be done on this ongoing problem. Everywhere.

Since I saw him last in 2013, there have been numerous illnesses forcing gig and tour cancellations, (a good friend booked a hotel for a Moz gig in Atlantic City which then got cancelled. They went anyway cause they had paid for the hotel! Their anthem that weekend could have been “Seasick, Yet Still Docked“), along with rumors of multiple treatments for cancer, which he confirmed, again, on Larry King this week. I thought I’d never seen him perform again.

But, there he was, “back in the center of the world,” as he said, in excellent voice and full effect, and still “True To You,” as his website is called, making the most of the moment, life and health to continue his mission and reinforce his message(s). Morrissey @ MSG left his soul behind, in deeds, performance and word, as few performers can, or have the guts to do, when he left the stage, after the fitting encore “Now My Heart Is Full.”

I also took it as a not too subtle reminder that like the songs on that list above, and others, “Ganglord” proves Morrissey remains one of the best writers of “anthems” of our times. The Dictionary failed to mention something that Francis Scott Key would find surprising if he had lived another hundred years-  anthems have a life of their own.

Let’s hope this one doesn’t prove as timely ever again.

*-Soundtrack for this post is“Ganglord” by Morrissey and Alain Whyte, published by Warner Chappell Music, Inc.

NighthawkNYC.com has been entirely self-funded & ad-free for over 8 years, during which 300 full-length pieces have been published! If you’ve found it worthwhile, PLEASE donate to allow me to continue below. Thank you, Kenn.

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Hold The Flowers- Ai Weiwei Gets His Passport Back…FINALLY! Then Uses It.

Written & Photographed by Kenn Sava

Each day for the past 600+ days flowers have been left in the basket of the bicycle outside of No. 258 Coachangdi, Beijing, China, the address of Ai Weiwei’s studio, by his fans and followers in solidarity with the great Chinese Artist & Activist until his passport, which was confiscated during his April 3, 2011 arrest on charges of “tax evasion,” is returned to him. Ai spent the next 81 days in prison (more on that coming up) until finally being released on bail on June 22, 2011, after he agreed not to leave Beijing for a year. Year up, he continued to be forbidden to travel to other countries…until…

Late last month Ai posted a pic on Instagram announcing the return of his passport, a great shot too long in coming, it can be seen, along with more details here.

At last…He doesn’t look particularly happy, though he looks well. I’d say he looks hopeful. Ai then quickly took a trip to Germany to rejoin his family, sparking rumors of his accepting a university post there.

Still, it’s Wonderful news that’s also a sad reminder that during the past 4(!) years Ai missed the many shows of his work held outside of China, the 2014 Brooklyn Museum Show Ai Weiwei: According to What? among them. Would what we experienced have been changed, modified or altered simply by his larger than life presence? We’ll never know, and we are all undoubtedly poorer for the lack of him. For me, though, it was still a rare chance to explore the many sides of Ai’s boundless creative spirit. Here are some pics I took of the show, in case you, like Ai, missed it.

Stacked 2014. The card refers to the minimalist approach to the bike- no handlebars or seat, suggests “that in China the individual is often undervalued and seen only as part of the whole.”

Map of China

I’ve been to bars that look like this at 3:45am. Grapes, Qing Dynasty Stools

It featured a selection of his work from the past 20 years, above, and a central gallery that included 2 monumental works, the 73 ton Straight, and Sichuan Name List Ai created in the aftermath of the 2008 Sichuan earthquake which killed over 69,000 and left another 18,000 missing 1.

Ai’s Straight (on the floor) and Sichuan Name List (on the wall, left) are works about the 2008 Sichuan Earthquake that may have killed 90,000.

For me, the “showstopper” was the 2013 work S.A.C.R.E.D. (S-supper, A-accusers, C-cleaning, R-ritual, E-entropy, and D-doubt) which consists of six 2 and a half ton iron boxes, each one shoulder height and measuring 5 feet wide and 12 feet long, one for each of the title’s letters. As you approach one, you notice a door near one exterior corner, then you notice slits in the iron that allow a glimpse of what’s inside. Yes, each box contains a diorama of a scene from his life during his 81 day incarceration after that 2011 arrest, while he was awaiting trial(!). Inside, we see TWO guards watching him sleep in one, eat in another, shower in another, and do his business in yet another(!)(not pictured)…It’s a chilling, unforgettable and shocking experience that gives the rest of us a little insight into the risks Ai takes every day, with every new work, and in just “being Ai.” It also reminds that many, many people, some of them Artists, take incalculable risks every day in the name of freedom, and Artistic freedom, or in just living their lives. Many admire athletes, and other so-called “role models.” I admire Ai Weiwei, and those like him.

Thinking about it on the F Train home, I couldn’t recall a more powerful recent work on this topic. My mind seeking an Art historical reference, of which there are, unfortunately, too many, kept turning to Goya. First, for the absurdity depicted in his Caprichos, and then of the power and oppression of the state shown in his The Third of May. In the end, the lesson may be that, in spite of hundreds of millions of deaths in the intervening almost exactly 200 years, tragically, not much has changed in the world .

For more info on and other’s pics of  S.A.C.R.E.D. go here and here. An interview with Ai about it is here.

I consider Ai a New Yorker since he lived here for 10 years. Here’s hoping he comes and visits us, again, soon…and often!

 

For Ai’s story, I highly recommend the 2012 documentary Never Sorry, which has appeared on PBS.

*-Soundtrack for this post- “Freedom” by Paul McCartney published by Sony/ATV Music Publishing, LLC, Universal Music Publishing Group

“I will fight, for the right
To live in freedom.”*

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13 Years At The Metropolitan Museum Of Art, Part 1: The Key

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Home.

August 1, 2015

The Met is my second home.

As I said, I’ve been over 1,200 times since August 1, 2002. I’ve got the buttons, and now the stickers to prove it. No I don’t work there and never have. No, I don’t know anyone personally who does. I’m simply passionate about exploring Art history. I love Art, and great Museums.

July 31, 2014

Still, why go there so often? Don’t you get bored looking at the same stuff over and over?

Ha! First, I’ve NEVER been bored at The Met (i.e. TM). With over 2 million objects in their collection and so many shows going on at any given time, it’s impossible to run out of things to see. In fact, every time I turn a corner and see a part of the building looming in front of me, I still get a chill up my spine. Over 6 million people visited it in 2014, even subtracting me from the total. Still, when I speak to people who don’t go, the spoken or unspoken question is-

Do you realize what this place is?

July 26, 2015

It’s very possibly the greatest repository of Art and Art professionals in the entire world. Yes, Art AND art professionals. It wouldn’t be what it is without both. (Disclaimer- I’m not going to get into the politics or issues about how the collection was formed here. I’m simply speaking about The Met as it is and as I experience it.) Other museums may have collections “stronger” in certain artists or periods (I hate comparative terms when it comes to the Arts), but no museum covers the entire history of man’s creativity across all the world’s cultures in the depth that The Met does.

September 18, 2011. Note the old school fountains, a distant memory now.

About that staff, here’s one example of what I mean…In February, 2012 I took an all night flight to London so I could see the last day of the what was called “one of the exhibitions of the century” by Roy Strong in the London Telegraph, Leonardo da Vinci: Painter at the Court of Milan at the National Gallery. The show “was the most complete display of Leonardo’s rare surviving paintings ever held,” according to the National Gallery’s site, and was a huge success by any measure. Being in the same room as both versions of the Virgin of the Rocks, being shown together for the first time(!!!)….What could I possibly say about it? It so happens that the month before my trip, Met Director Thomas Campbell, announced that the curator of that show, a gentleman named Luke Syson, was leaving the National Gallery, where he was the Curator of Italian Paintings before 1500 and Head of Research, to join The Met as the Iris and B. Gerald Cantor Curator in Charge of the Department of European Sculpture and Decorative Arts, a department Mr. Campbell previously headed for 5 years. He had just mounted an “exhibition of the century,” yet leaves before it closes to work at The Met. Wow. To me, this is only one example of the extraordinary assemblage of talent working at, and for, 1000 Fifth Avenue. 1

March 7, 2015

Most times I go to TM without a plan. I try and see the Special Exhibitions, including those that I know nothing about, before they close (close as in they end for good). Grabbing a copy of the “On View” list at the admission counter, the first thing I check- “What’s closing soonest?” I don’t think people know how many Special Exhibitions are going on at TM at any one time. I’ve counted 25 at times (what other Museum matches that?), and some of them are not even listed either on the web site, metmuseum.org, or on “On View.”  The only way you can know about them is to actually stumble upon them. As I speak there is, what I’m calling, a “Mini- Mozart Tribute” going on in an enclave in the Prints & Drawings gallery that’s not mentioned anywhere and would be a long remembered highlight for any Mozart fan. Where else have you ever seen a portrait done FROM LIFE in 1763-4 of the 7 year old Wolfgang Amadeus? It dropped my jaw. The text under the image lists Wolfgang, who’s seated at the keyboard, AFTER his father, AND his sister…as a composer! Here is it- look at how far his feet are off the floor…

Jean-Baptiste Delafosse, Leopold Mozart and His Children Maria Anna and Wolfgang Giving a Concert in Paris, 1764, Etching and engraving.

Going to the shows, I’ve discovered artists I had never heard of who are now among my favorites. I’ve learned much much more about artists I already knew and loved, and discovered whole worlds of art from around the world and throughout human history.

Oh, and if you ever run out of Special Ex’s to see? There’s always the permanent collection, which as I said, now numbers over 2,000,000 items.

Getting an idea yet of why I’m never bored going there?

So, what’s come from those 1,200 visits? The main lesson I’ve learned through all of this is that Great Art is Great Art. Great painting exists in Ancient Egypt as it did in the Renaissance, the 16,17,18,1900’s, right up to today. I’ve also come to feel, personally, that no Artist is “greater” than another. No work of Art is “greater” than another- comparing Artists, or Art works, to each other is pointless. (Much more on this in an upcoming post). This is one reason great Artists have always looked to, and been influenced by, what has come before. It’s the same in Music, Literature, Film…all the Arts.

Artists have been “standing on the shoulders of giants” for a long time.

I don’t compare Rembrandt to Michelangelo- you wouldn’t have one without the other. Well, Rembrandt would have existed, but he probably would have created work that was a bit different than he did. How different? that would depend on his influences and their influences. You wouldn’t have Van Gogh without Rembrandt. And so on and so on…Even Michelangelo, “El Divino,” possibly the most sublimely talented artist who ever lived, studied the Ancient Greeks and Romans, as did others in his time, hence the term “Renaissance,” the rebirth of what had been known in Ancient times, and forgotten.

That is “The Key.”

For me, that is The Met’s ultimate lesson- Art is Art (IF it’s good enough to get in the front door!). There is no distinction to be made for period, style, medium, culture, or anything else.

You walk in the door and you are face to face with some of the greatest achievement of human kind. You can go in any direction you want- right, to Ancient Egypt, Left to Ancient Greek and Roman, straight ahead up the great staircase to European Paintings, and so on…all 4 City blocks worth of it. Lesson #2- Wear comfortable shoes. Better yet? Go back often.

 

Until next time…universe willing. It’s only this empty at closing time. November 22, 2014.

This will be an ongoing series and in it I will try and share some of what I’ve seen at TM, now and in the past. I’m blessed to live where I do. Blessed to live in the heart of Manhattan- NYC, NY. A big part of the reason I feel so blessed is because of the culture at hand. Exploring all of it is impossible for any one person. Even seeing EVERYTHING at TM is impossible.

That’s why I say- Bury me at The Met. Face up.

Soundtrack for this post- J.S. Bach “Goldberg Variations” performed by Glenn Gould, 1981 (aka. “The Second Goulbergs”), CBS Records, [amazon text=Amazon&asin=B0000025PM], one of THE most sublime documents of recorded music, ever.

NighthawkNYC.com has been entirely self-funded & ad-free for over 8 years, during which 300 full-length pieces have been published! If you’ve found it worthwhile, PLEASE donate to allow me to continue below. Thank you, Kenn.

You can also support it by buying Art, Art & Photography books, and Music from my collection! Art & Books may be found here. Music here and here.

Written & photographed by Kenn Sava for nighthawknyc.com unless otherwise credited. To send comments, thoughts, feedback or propositions click here. Click the white box on the upper right for the archives or to search them. Subscribe to be notified of new Posts below. Your information will be used for no other purpose.

  1. To read about some of the others, I recommend Museum: Behind the Scenes At The Metropolitan Museum of Art by Danny Danziger.

Welcome to the Night

This site is Free & Ad-Free! If you find this piece worthwhile, please donate via PayPal to support it & independent Art writing. You can also support it by buying Art & books! Details at the end. Thank you.

Written & Photographed by Kenn Sava (*- unless otherwise credited)

“I’ll rise when the sun goes down
Cover every game in town
A world of my own
I’ll make it my home sweet home” *

That’s not all that far off from describing my life as those few who actually know me can attest. “Call me if you’re up during normal hours,” one said to me recently. He’s still waiting for that call. Another calls me by a pet name based on the sound Owls, my Official Bird of the Night, make in Russia. Everyone knows not to make appointments for me in the morning (i.e.“the middle of the night”), or first thing in the afternoon..

How did this happen?

I’ve been this way as far back as I can remember. My folks made me work in the family business weekends and summers when I was a kid, so the only way I could get time to myself was by staying up late. I was one of those kids who used to read leaning over the bed on the side away from the door after light’s out with a flashlight and a book or magazine on the floor. And, I had a radio under my pillow which led me one especially lonely night to discover the late, GREAT Jean Shepherd, but more on him later. On that radio I also heard RFK’s assassination, live. I had seen Lee Harvey Oswald get shot, live too, years earlier, the first murder ever broadcast live, a few days after I heard the news of JFK being shot just after it happened. 

After High School, and classes at the Manhattan School of Music, I left to take a dream gig in a terrific band and went on the road up and down the East Coast for 5 years. Not exactly conducive to a change of schedule. Let’s suffice it to say I gave into peer pressure and my virginity, sobriety and innocence ended soon thereafter while my late lifestyle was perfect for this occupation- our typical gig started around 10pm and ended at 4am, sometimes 5 or 6 nights a week.

“I take one last drag
As I approach the stand
I cried when I wrote this song
Sue me if I play too long
This brother is free
I’ll be what I want to be” *

During my time as a Musician, I was lucky enough to play all kinds of Music from garage rock to acoustic Jazz to Classical (with an orchestra) and as a result, I developed an ear for an insanely wide range of Music. I also worked with some great Musicians including Billy Hart, T. Lavitz, jazz great Thomas Chapin, Twisted Sister, Steppenwolf, Spirit, Mark Ledford, Lonnie Plaxico and met many others including Jaco Pastorius, Joe Zawinul, Vladimir Horowitz, Alfred Schnittke, Carlos Alomar, Tony Levin, Dave Fields. Recording my band led to doing concert sound for an RCA Records band, then to a job as production manager for one of the biggest music production houses in the country, where I put together over 2,800 recording sessions in five years with innumerable session Musicians and recording artists. After that, I became an independent record producer, an artist manager, then spent 4 years as a writer for Jazziz Magazine. After I got fed up with the state of the record business in 1998, I studied Drawing for a decade, during which I went to every museum, gallery and show within crawling distance.

“Sharing the things we know and love
With those of my kind
Libations…
Sensations…
That stagger the mind.” *

Since 2002, I have been to The Metropolitan Museum over 1,600 times, and I have the buttons and stickers to prove it. 

Along the way, Art became my religion. So, I capitalize its forms and the great practitioners of them, since I feel they deserve that level of respect. There are “artists” and then there are “Artists.” There has to be a way to distinguish someone like Michelangelo from the multitudes, right? So, be forewarned that I hold to this convention throughout. Frankly? I’m a bit surprised it hasn’t become the norm. Maybe I can help change that.

The last time I stood in front of Nighthawks. August 28, 2013, at Hopper Drawings at the old Whitney Museum.

I’ve long identified with Edward Hopper’s Nighthawks, which I’ve seen in person both at its home at the Art Institute of Chicago and here in NYC at the “old” Whitney Museum during the Hopper Drawing show. In particular, the guy in the front who’s sitting by himself, the guy no one ever mentions in discussing this work which is now seminal to our culture and to the Art, Film, Music and Literature that has come after. It’s hard to believe it was painted in 1942. It feels so now. But, I digress, again.

I am that guy.

 

*-Detail of Art Institute of Chicago Photo

“That shape is my shade
There, where I used to stand
It seems like only yesterday
I gazed through the glass
At ramblers
Wild gamblers
That’s all in the past.” *

Living in Manhattan was always my life’s dream. And it took a long time for that to finally happen. For the last 28 years, it’s been my world, my “home sweet home,” as Steely Dan said in “Deacon Blues”*, the soundtrack of this post. I’ve lived most of that time in my world at night.

Now? I’m inviting YOU to come along with me. Pull up that open barstool, since there’s now plenty of them to choose from as  you can see from the banner (adopted from you know what, with my apologies. and undying admiration), and let’s see what the night brings.

As Joe Strummer once said, “The future is unwritten.” That leaves the present and the past to write about. One thing I’ve learned along the way- the journey is usually the destination.

“You call me a fool
You say it’s a crazy scheme
This one’s for real
I already bought the dream
So useless to ask me why
Throw a kiss and say goodbye
I’ll make it this time
I’m ready to cross that fine line.” *

*- From the soundtrack for this Post, “Deacon Blues,” Words & Music by Walter Becker and Donald Fagen. Published by Universal Music Publishing Group. From the classic Lp Aja, by Steely Dan.

NighthawkNYC.com has been entirely self-funded & ad-free for 9 years, during which 330 full-length pieces have been published! If you’ve found it worthwhile, PLEASE donate by PayPal below to allow me to continue. Thank you, Kenn.

You can also support it by buying Art, Art & Photography books, and Music from my collection! Art & Books may be found here. Music here and here.

Written & photographed by Kenn Sava for nighthawknyc.com unless otherwise credited. To send comments, thoughts, feedback or propositions click here. Click the white box on the upper right for the archives or to search them. Subscribe to be notified of new Posts below. Your information will be used for no other purpose.

For “short takes,” my ongoing “Visual Diary” series, and outtakes from my pieces, be sure to follow @nighthawk_nyc on Instagram!