The Met To Close The Met Breuer In 2020

Written & Photographed by Kenn Sava

Outside The Met Breuer. Click any Photo for full size.

This, today, from Met Museum President and CEO, Daniel Weiss-

The Met
Dear Member:

I am writing to bring you up to date on a new series of developments related to The Met Breuer and, more generally, on our long-term goals for modern and contemporary art at The Met.

We are in the process of creating an arrangement between The Met and The Frick Collection through which the Frick will use the Breuer building while its own building undergoes a substantial upgrade and renovation. This collaboration would ensure that the public continues to have access to the Frick’s collections, exhibitions, library resources, and education programs.

Although final details are still under review, as currently envisioned the Frick would begin its programming at the Breuer building in late 2020, after obtaining the necessary public approvals for its renovation project. The Met will continue operations at the Breuer until the summer of 2020.

In the last few years, under the outstanding leadership of Sheena Wagstaff, the Leonard A. Lauder Chairman of Modern and Contemporary Art, The Met Breuer has received critical and public acclaim for its exhibition program, which has been devoted to telling multiple histories of modernism from across the world.

Most of all, we have enjoyed sharing the building with Members like you. Together, we have examined modern and contemporary art through unparalleled exhibitions such as Like Life: Sculpture, Color, and the Body (1300-Now) and Unfinished: Thoughts Left Visible, and important displays of artists who were overdue for recognition, such as Nasreen Mohamedi, Marisa Merz, Lygia Pape, Kerry James Marshall, and, now on view, Jack Whitten.

In the coming months, we have several major exhibitions planned for the current Modern and Contemporary galleries at The Met Fifth Avenue, including Epic Abstraction: Pollock to Herrera later this fall, and our special exhibition galleries in the main building, as well as a number of large photography exhibitions. Finally, our programming at Breuer will continue until summer 2020, with a very exciting and diverse exhibition schedule ahead.

Our long-term commitment remains with the main building, and, of course, the Cloisters. We are actively working to reinvigorate and reimagine the role of modern art in the Fifth Avenue building, guided by the leadership of The Met’s new Director, Max Hollein, and in partnership with Sheena and the Modern and Contemporary team.

We are extraordinarily proud of our work at The Met Breuer. Over the last three years, we have accomplished exactly what we set out to do, namely, present modern and contemporary art within the context of our broader mission and encyclopedic collection. Building on that success, we are now able to realize an even more ambitious program at The Met Fifth Avenue.

I am excited about the collaboration with The Frick, and the opportunity to unify and expand modern and contemporary initiatives at The Met Fifth Avenue.

Dan
The Met
Fifth Avenue 1000 Fifth Avenue
New York, NY 10028
The Met
Cloisters 99 Margaret Corbin Drive
Fort Tryon Park
New York, NY 10040
The Met
Breuer945 Madison Avenue
New York, NY 10021
metmuseum.org

According to Mr. Weiss, the new arrangement will save The Met about 45 million dollars over 4 years1. That The Met would try and exit their lease on the Breuer building early is not totally unexpected, but that they were able to execute it so soon (two and a half years after the Met Breuer opened in March, 2016, and a year and seven months after the resignation of Director, Thomas P. Campbell, under who’s regime, the Museum had taken on the Breuer), seems quite fortuitous for their bottom line beginning in a few years, and so will probably be seen as a coup for the Museum. Part of the reason The Met wanted the Breuer was to display Modern & Contemporary Art while those galleries at 1000 Fifth Avenue were being renovated. With that plan shelved in 2017, and the existing galleries continuing to serve, today’s announcement makes me wonder what effect, if any, there is to the April, 2013 gift of Leonard Lauder’s superb collection of 78 Cubist paintings, drawings, and sculptures, among them 33 Picassos, 17 Braques, and 14 Légers valued at more than $1 billion, which was seen as part of The Met leasing the Breuer, and which were to be housed in part of the new Modern & Contemporary Wing. Nothing about it is mentioned in Mr. Weiss’ letter.

Thornton Dial, History Refused to Die, 2004, verso, seen in the excellent show of the same name that just ended at The Met 5th Avenue,, put on by Sheena Wagstaff and her team.

On the Art front, I am pleased to see that Sheena Wagstaff will, apparently, continue as Chairperson of Modern & Contemporary Art. As I’ve said, in my view, she has done a terrific job.

UPDATE- To be clear, The Met will still hold the lease on the Breuer building. They will be “subleasing” it to The Frick Collection for the final 4 years of The Met’s lease on it. This wasn’t made clear at the time of Mr. Weiss’ letter.

*-Soundtrack for this Post is “One Too Many Mornings” by Bob Dylan from The Times They Are A-Changin’. Lyrics, here

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  1. New York Times, March 5, 2016